Ionian Mode | Explanation and Modal Progression

Ionian is the first mode of the major scale.  It’a basically the Greek name for the modern major scale.

The notes in a C Ionian Scale are:  C D E F G A B C

The interval structure for Ionian Mode is:

Tone, Tone, Semi-Tone, Tone, Tone, Tone, Semi-Tone

or

Whole, Whole, Half, Whole, Whole, Whole, Half

Tone=2 frets, Major Second

Semi-Tone=1 fret, Minor Second

Whole Step=2 frets, Major Second

Half Step=1 fret, Minor Second

From an ear training perspective, Ionian sounds happy.

Auditory Association (Songs):

  • Jump, Dance the Night Away (Intro, Verse, Chorus) – Van Halen
  • Summer of 69 (Intro, Chorus) – Bryan Adams
  • Always with me, Always with you (main melody) – Joe Satriani

 

 

Bring Your Guitar This Year | Start Our Campfire 101 Class Today!

For those who would like to rock in the outdoors we have the program for you!

Campfire 101 will prepare you for playing in the great outdoors. Even if you have a grasp of playing guitar, we can help you reach the confidence needed to impress anyone around the fire.

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Understand Modes of the major scale in 10 Minutes | Introduction to Modes (LM1)

Here is an revolutionary explanation and approach to learning the Modes of the major scale.

In the beginning modes can be a little overwhelming, but with a little practice you can easily master them and implement them into your everyday playing.

Let your new journey begin as you embrace effortless learning!

Understand modes of the major scale in 10 minutes!  Watch Video

A mode is an inversion of a scale where one of the other notes in the scale becomes the new root.

Ionian:  R 2 3 4 5 6 7 R (Major) W-W-H-W-W-W-H

Dorian:  R 2 b3 4 5 6 b7 R (Minor) W-H-W-W-W-H-W

Phrygian:  R b2 b3 4 5 b6 b7 R (Minor) H-W-W-W-H-W-W

Lydian:  R 2 3 #4 5 6 7 R (Major) W-W-W-H-W-W-H

Mixolydian:  R 2 3 4 5 6 b7 R (Major) W-W-H-W-W-H-W

Aeolian:  R 2 b3 4 5 b6 b7 R (Minor) W-H-W-W-H-W-W

Locrian: R b2 b3 4 b5 b6 b7 R (Diminished) H-W-W-H-W-W-W

Stay tuned for more info on how to build modal chord progressions, and how to effortlessly compose and Improvise using modes!

In late 2015 we will be releasing a series of books focusing on various aspects of music theory (Harmony, Theory, Modes, etc).  These books will provide an innovative and revolutionary approach to learning in the most efficient manner.  Keep checking back for the latest updates!

Thank you for stopping by!

 

Modes of the Major Scale | Szeryk Guitar Academy ™ | Guitar Lessons in London and SW Ontario since 1990

Dressing fret ends – Guitar Repair and Setup

Dressing fret ends will keep your guitar playing comfortably.

When the temperature starts to drop and the humidty gets lower the wood on your guitar will start to shrink. As a result you may notice the ends of your frets sticking out a bit more. This is a great time to have your fret ends dressed (filed flushed with the side of the fretboard). Your guitar will be more comfortable to play.  Winter is the best time of year to get this done!

Contact us and we can get your guitar playing amazing!

Szeryk Guitar Academy | Guitar Repair and Setups | Guitar Lessons in London and SW Ontario since 1990.

Hideaway | The Essence and soul of blues guitar!

“Hideaway” – Performed live by Scott Szeryk on the Guitar Manifesto Tour!   This performance was recorded Saturday October 11, 2014 at the London Music Club. 

Since I was a young child and I first started playing guitar, the Blues always resonated within me and made a deep inner connection with my soul!  It was like my own personal musical religious experience. Every time I would hear the music of Blues guitarists: Robert Johnson, BB King, Buddy Guy and early Eric Clapton (Blues Breakers era) it was like my own sonic portal to a higher power.  A high school friend of mine; Christopher Murphy who was a Blues Aficionado, would always be playing records recorded by Blues masters.  We would have long talks about all the Blues greats and the impact they had on the future generations of guitarists. One day upon his recommendation, I purchased the John Mayall and the Blues Breakers Album featuring Eric Clapton on Guitar.  Some refer to this as the Beano album because on the cover Eric Clapton is sitting with 3 of his bandmates reading “The Beano”, a children’s comic.

When I got home and put the record on, the music that leaped out of the speakers, mesmorized me and touched my soul in a way that was unlike anything I had ever experienced at the ripe old age of 15.  I couldn’t figure out if I wanted to laugh or cry, so I did both as the album played. I must have played that album in it’s entirety about 10 times that day, trying to comprehend what I was hearing and experiencing on an emotional level!  This was all new to me. Music had never made this kind of an impact on me. One song that stood out and became an immediate favourite of mine was “Hideaway”. There were many elements to this song that I liked. In particular, Eric Clapton’s phrasing. The way the notes were crafted together, with the most refined bending and vibrato. “Hideaway” was the first song on that album that I started transcribing in tremendous detail. It took a long time to be able to get through it and there were many revisions that followed.

I knew at that time in my life that whatever musical path I chose, that the Blues would stay at the epicentre of my musical being and provide me with that connection to something greater. I probably will never be able to explain or understand even on a metaphysical level, the “purity” of such musical magic. I’m still trying to figure that one out!  “Hideaway” is a song that has remained in my repertoire for a long time. Early on  I would spend countless hours trying to mimic every micro detail of that song.  To this day, I frequently revisit “Hideaway” for self study or to help a student learn it and it’s a reminder that nothing in the song needs revision. It’s musically eloquent and thus perfect!

When performing “Hideaway”, I try my best to play it note for note.  It’s an exercise in discipline to play it the way it was recorded. Quite frankly what Eric Clapton played, is kind of like a musical Mona Lisa. Don’t mess with it or the Hellhounds will be on your trail!

PreSonus Studio Live used for recording and FOH.  Hideaway Performed live by Scott Szeryk.
PreSonus Studio Live used for recording and FOH. Hideaway Performed live by Scott Szeryk.

The live recording process that we used for this show was pretty simple. 10 mics and inputs.

The audio inputs were as follows:

Kick Drum, Snare Top & Bottom, Overhead Left & Right, Bass Guitar, Guitar Left & Right, Vocal and Audience Mic.  That’s it! 10 inputs, really straight ahead…   We went straight into a PreSonus Studio Live 24.4.2.   afterwards in post-production, a good sounding mix was really easy to get as all the sounds were amazing to start with, so we spent about 30 min, over a few days just to make sure levels were where we wanted them.  When you play with world class players there is not a lot to do in terms of mixing.  The sounds are already there and it really a matter of capturing it with the right microphones at the source.    It’s almost too easy and feels wrong, especially compared to todays recording standards, where everything is done to a grid, and drum sounds are replaced with samples, etc…Yikes…  🙁    On this recording we wanted something organic, that stayed true to the sound we were trying to create.  The key element in capturing the sonic magic was the PreSonus Studio Live, in particular the X-Max Preamps.   The X-Max Pre’s are the secret weapon of the PreSonus Studio live.

“Hideaway” was originally recorded in 1960 by Freddie King.  It is said that Freddie King took ideas from various blues songs at the time and fused them together.   In 1963 Eric Clapton was given a copy of “Hideaway” by a bandmate and he started learning it on guitar.  When it was time to record the John Mayall and the Blues Breakers album in early 1966 Eric Clapton requested if they could do a cover of “Hideaway” and the rest they say, is Blues history!

Thank you for reading!   Until next time my fellow guitar lovers, Happy Trails!

Scott Szeryk

 

Szeryk Guitar Academy ™ | Hideaway performed live  by Scott Szeryk | Written by Freddie King, later recorded by Eric Clapton and John Mayall | Guitar Lessons in London and SW Ontario since 1990.

Changing Strings on a Guitar with a Floyd Rose Bridge

Anyone who has a guitar or has ever owned a guitar with a Floyd Rose Bridge knows that it can be a frustrating experience and leave you feeling like you need a degree in mechanical engineering even when doing a regular guitar maintenance like changing strings.

Here are a few tips I use when changing strings on a guitar that has a Floyd Rose Bridge.

 

Szeryk Guitar Academy ™ | Changing strings on a Floyd Rose locking tremolo system | Tips and Tricks | Guitar Lessons in London and SW Ontario since 1990.

 

Caprice 5 Paganini | Sheet Music and Guitar Tab | LEARN TO PLAY

Caprice 5 by Niccolo Paganini.   Sheet Music and  Guitar Tab is available for purchase here.  Transcribed and Arranged for solo electric guitar.  You could also squeak this out on an acoustic guitar with a cutaway.

A guitar friendly arrangement to help you learn this in the most efficient manner!

Buy Now!

Private and Skype Guitar Lessons are available.  We can show you all the short cuts and tricks so you can learn Caprice 5 Paganini on guitar in record time!  Contact us and we can get started!  We offer Guitar Lessons in London, Ontario, Canada.

 

How to be the best musician possible

Core: Regardless of how hard you work towards your musical goals, you will not reach your full potential if your Core system (your body and mind) are not running at 100% peak efficiency. These systems are Sleep, Nutrition and Exercise.

Planning: Know what you want to achieve and set a plan in motion to achieve it. You can’t hit a target if you don’t know where or what it is. Set goals and of different levels. Have goals that you are accomplishing every few weeks and long term goals that are the result of achieving the smaller ones.   Goals are building blocks. You start off with one and build your way up in to something that is big and strong. Sky is the limit. The best athletes in the world all have state of the art training programs.   This is where a great teacher/coach can help you meet and exceed your goals. By putting together a really great practice routine and having obtainable short term goals you will be on the path to success.

Execute: The best practice or workout routine will fail without putting forth the necessary effort.   Work Ethic is the most effective ingredient in achieving success. You can be naturally gifted and possess all the skill sets necessary but with out serious work your results will be mediocre. The opposite also holds true, you can can have average to above average talent and insane work ethic and become a champion. Obviously being gifted and having insane work ethic will yield the best results. As a musician by trade I know the music and the arts is not a competition but I have a saying that I live by in every area of my life “Somewhere out there someone is practicing and when you meet them in head to head competition they will win. Also remember to enjoy what you do.

Review: The best musicians are constantly revising their practice routines. Take inventory of your strengths and weakness’s.   Work on your weakness’s first when you practice. This is a bulletproof method to never plateauing and always moving forward.

Repeat: As you are making good gains with your practicing and goal setting, keep revising and fine tuning your routine.

Creativity: When are you most creative? Try to monitor when you are most creative during your day, and use this time to develop your new ideas. Try to make a routine out of this. Be sure to document your ideas by writing them down and or recording them. Most smart phones have a memo recording feature that will allow you to capture your ideas. A great photographer always has a camera on hand, with fresh batteries and the lens cap off ready to capture the moment. Do the same with all your musical ideas. Don’t dismiss the simple ideas, sometimes they will become your most popular and biggest hits.

Failure: Failure tends to have negative connotations. From every mistake made there are valuable learning experiences. There is no way around this. Some times we can be messy human beings and mistakes are part of being human, it’s simply life. Just remember that the same ground you fall down on is there to help you get back up.

Be Positive: Try your best to stay positive. We all have our ups and downs but the goals is to have more ups than downs. I like Steve Wozniak’s equation to happiness “H=S-F (Happiness equals smiles minus frowns).” Hang around people who are like-minded and positive. Negative people will just suck the energy and creativity right out of you

Success: Success is simply being able to live your life surviving doing what you love! Most of us are familiar with the theme from the motion picture Field of Dreams “If you build it they will come” I have my own variation of that saying “If you love what you do they will come”. If you truly love what you do people from all over the world will seek you out for that thing that you pour your love into.

 

Szeryk Guitar Academy ™ | Guitar Development Program | Guitar Lessons in London and SW Ontario since 1990.

Setting Goals – A formula that Works!

Have you set clear written goals for your future and made plans to accomplish them?  Here is a great guide line for setting goals.

In a popular urban legend, this is the question that was posed to new graduates of the Harvard MBA program in 1979 (or Yale class of ’53, depending on whom you ask). As the story goes, they found that:

  • 84% had no specific goals
  • 13% had goals, but not in writing
  • 3% had clear written goals and plans to accomplish them

Ten years later, the same individuals were interviewed again. The 13% who had set goals were earning, on average, two times as much as the 84% who had no goals. Nice, but nothing compared to the 3% who had committed goals to paper. This overachieving bunch was earning an average of ten times as much as the other two groups combined! (What They Don’t Teach You in the Harvard Business School).

Fictitious though the study may be, goal setting remains a key topic in sport psychology, and appears to be a reliable influence on our level of performance and achievements. Here’s one publicly accessible study on the effect of goal setting on individual/team performance in rugby.

It’s about deliberately taking charge and being the driver in one’s own life, rather than the passenger in a self-driving car or habit-driven cruise control version of our life.

Unfortunately, nobody ever sits us down and teaches us how to set goals, even though research indicates that there are certain guidelines involved if you want goal setting to work.

4 Guidelines for Effective Goal Setting

What’s better – specific goals or general goals?

Advantage: Specific goals

Clear, explicit, specific goals are more effective than general goals. Vague goals like “doing your best” or “playing better” are not particularly effective.

Best, are goals such as

  • I will have the intro to Eric Johnson’s Cliffs of Dover memorized by next Friday (defined perhaps by playing through the part without music at least once)
  • I will be able to play the tricky fingered  passage consistently in tune by the end of the week (defined by being able to play the passage in tune at least 4 out of 5 times)

What’s better – moderate goals or difficult goals?

Advantage: It’s a little complicated…

The more difficult the goal, the better performance is likely to be – up until a point. If the goal feels impossible or unrealistic to you, motivation will be low and you’ll be more likely to give up. However, the same is true of goals that are set too low and are not enough of a challenge.

Don’t pick an impossible goal of course, but I would suggest picking a goal that is exciting, motivating, and feels like a real challenge at the upper edge of what you believe you are capable of. When trying to figure out where your upper limits are, trust your gut and don’t forget that we have a tendency to underestimate our abilities.

What’s better – short-term goals or long-term goals?

Advantage: Both are essential!

Long-range goals are essential, but more immediate goals help us stay focused on the smaller steps that ultimately get us to our destination.

Try using the staircase approach. Get out a piece of paper and draw a staircase. Put your long-term goal at the very top of the staircase, and under each step, work backwards, writing down the intermediate sub-goals that will get you there.

What’s better – process goals or outcome goals?

Advantage: Process goals…most of the time

We live in a very results-driven society, so most of us quickly learn to focus on outcome goals (e.g. winning an audition) as opposed to process goals (e.g. staying focused on the music, listening to the other musicians in the ensemble, good posture, etc.). Problem is, we have very little control over outcome goals. You can have the audition of a lifetime, but fail to win the job because someone else was even more prepared and played just a wee bit better. Not much we can do about how others perform.

Furthermore, worrying about outcome goals that we can’t control (like what the audience is thinking, what will happen if we have a memory slip, how good so-and-so sounds in the warm-up room) takes our focus away from those aspects of our performances and preparation that we can control.

Then again, outcome goals (like imagining yourself winning the Cleveland job) can be extremely motivating and might help you stay focused on doing all the little things that will help put you in a position to win the job when the big day finally arrives.

At the end of the day, the combination of outcome goals and process goals is most effective, though it’s best to focus on process goals when it’s performance time and avoid focusing on outcome goals.

The One-Sentence Summary

“If you don’t know where you are going, you’ll end up someplace else.” -Yogi Berra

2002 EVH Peavey Wolfgang (Custom Shop # 41) – Refret

This 2002 EVH Peavey Wolfgang was a privilege to work on!!

The client, who is a die hard Van Halen fan had played the guitar so much the frets were worn out.  It was time to bring the fretboard back to life and increase it’s performance beyond factory.   There were a few other little issues that we wanted to address as well.

I suggested we do a refret with our custom Stainless Steel wire.  This way it would be the last time this guitar would ever need to be refretted.   We did a slight over radius of the fretboard from 15″ to 16″.  Sanded to a super high grit to let the amazing birds eye maple really pop!!  This enabled us to true the fretboard and take out a few humps and high spots.  So now we were able to begin the refret with a flawless playing field.   2 coats of our secret sauce oil were applied, which will apply maximum protection to the fingerboard but keep the true wood feel.   The new frets were installed, barely any levelling had to be done (3-4 passes), crowned and polished to super high gloss.   Now we have 22 beautiful pieces of stainless steel jewellery installed on a beautiful guitar..   The results were amazing!  Effortless bending (10′s feel like 9′s) louder, more sustain and harmonic content.  This guitar is an amazing playing instrument and a TONE monster!

The bottom of the nut had some machineing flaws so it was filed and polished, and set to a height of 0.005″ above fret 1.   At the factory the neck was shimmed back to create a slight tilt to create more consistent action along the fretboard, but it wasn’t enough.   The thin plastic was replaced with a maple shim at 0.047″ thickness to yield a 6 degree tilt in the neck for superb action from fret 1 to 22.

Read on and enjoy the photos!

 

Szeryk Guitar Academy | Peavey Wolfgang Refret | Guitar Repair in London and SW Ontario since 1990.