Double How Fast You Learn !!

Double How Fast You Learn

Making one small change to the way you practice can make a huge difference in how quickly you gain new skills.

 

When you’re trying to learn something new — like, say, making that new sales demo really sing — you need to practice. When you’re trying to gain expertise, how much you practice is definitely important.

But even more important is the way you practice.

Most people simply repeat the same moves. Like playing scales on the piano, over and over again. Or going through the same list of vocabulary words, over and over again. Or, well, repeating anything over and over again in the hopes you will master that task.

Not only will your skills not improve as quickly as they could, in some cases, they may actually get worse.

According to research from Johns Hopkins, “What we found is if you practice a slightly modified version of a task you want to master, you actually learn more and faster than if you just keep practicing the exact same thing multiple times in a row.”

Why? The most likely cause is reconsolidation, a process where existing memories are recalled and modified with new knowledge.

Here’s a simple example: trying to get better at shooting free throws in basketball. The conditions are fixed. The rim is always 10 feet above the floor. The free throw line is always 15 feet from the basket.

In theory, shooting from the same spot, over and over again, will help you ingrain the right motions into your muscle memory so your accuracy and consistency will improve.

And, of course, that does happen — but a better, faster way to improve is to slightly adjust the conditions in subsequent practice sessions.

Maybe one time you’ll stand a few inches closer. Another time you might stand a few inches to one side. Another time you might use a slightly heavier, or lighter, ball.

In short, each time you practice, you make the conditions a little different. That primes the reconsolidation pump — and helps you learn much more quickly.

But Not Too Different — or Too Soon

But you can’t adjust the conditions more than slightly. Do something too different and you’ll simply create new memories — not reconsolidated ones.

“If you make the altered task too different, people do not get the gain we observed during reconsolidation,” the researchers say. “The modification between sessions needs to be subtle.”

And you’ll also need to space out your practice sessions appropriately.

The researchers gave the participants a six-hour gap between training sessions, because neurological research indicates it takes that long for new memories to reconsolidate.

Practice differently too soon and you haven’t given yourself enough time to “internalize” what you’ve learned. You won’t be able to modify old memories — and therefore improve your skills — because those memories haven’t had the chance to become old memories.

So if you want to dramatically improve how quickly you learn a new skill, try this.

How to Learn a New Skill

The key to improvement is making small, smart changes, evaluating the results, discarding what doesn’t work, and further refining what does work.

When you constantly modify and refine something you already do well, you can do it even better.

Say you want to improve a skill; to make things simple, we’ll pretend you want to master a new presentation.

1. Rehearse the basic skill. Run through your presentation a couple of times under the same conditions you’ll eventually face when you do it live. Naturally, the second time through will be better than the first; that’s how practice works. But then, instead of going through it a third time …

2. Wait. Give yourself at least six hours so your memory can consolidate. (Which probably means waiting until tomorrow before you practice again, which is just fine.)

3. Practice again, but this time …

  • Go a little faster. Speak a little — just a little — faster than you normally do. Run through your slides slightly faster. Increasing your speed means you’ll make more mistakes, but that’s OK — in the process, you’ll modify old knowledge with new knowledge — and lay the groundwork for improvement. Or …
  • Go a little slower. The same thing will happen. (Plus, you can experiment with new techniques — including the use of silence for effect — that aren’t apparent when you present at your normal speed.) Or …
  • Break your presentation into smaller parts. Almost every task includes a series of discrete steps. That’s definitely true for presentations. Pick one section of your presentation. Deconstruct it. Master it. Then put the whole presentation back together. Or …
  • Use a different projector. Or a different remote. Or a lavaliere instead of a headset mic. Switch up the conditions slightly; not only will that help you modify an existing memory, it will also make you better prepared for the unexpected.

4. And then, next time, slightly modify another condition.

Keep in mind you can extend this process to almost anything. While it’s clearly effective for improving motor skills, the process can also be applied to nearly any skill.

Don’t do the same thing over and over again in hopes you’ll improve. You will, but not nearly as quickly as when you slightly modify the conditions in subsequent practice sessions — and then give yourself the time to consolidate the new memories you’ve made.

Keep modifying and refining a skill you already do well and you can do it even better.

And a lot more quickly.

That’s the fastest path to expertise.

Van Halen – Little Guitars performed by Scott Szeryk

Little Guitars-Performed by Scott Szeryk, written by Van Halen and featured on the Diver Down album, the song was released April 14 1982

Always liked this song, a nice upbeat summer vibe.

Originally written on a smaller scale Les Paul Style guitar with mini humbuckers and played in the key of F major. I always wanted to play this on a full size guitar. So here it it transposed down a minor 3rd into the key of D major. Bass part has also been also transposed. It definitely sounds pretty heavy!! This is what Eddie plays live. Drop D tuning, verse section played with middle and ring finger, producing double stops on the D, D/C (C add9) and F chords. Has a keyboard vibe.

Diver Down is the fifth studio album by American hard rock band Van Halen, released on April 14, 1982. It spent 65 weeks on the album chart in the United States and had, by 1998, sold four million copies in the United States. It is their shortest album to date.

Choosing the correct guitar pick for you.

Choosing the correct Guitar Pick!

Selecting the correct guitar pick.
Selecting the correct guitar pick.

One of the questions I am often asked is “What is the best guitar pick to use”?  With so many options being made available today, due to availability in manufacturing, the choices may seem overwhelming.

Here are some guide lines that will help you choose the best pick for you and your style of playing:

Of all the guitar players I have studied over the last 3 decades, almost all of the seasoned picking guru’s (99.9%) migrate to a guitar pick that is stiff and approx 1.0mm in thickness.  Yes there are always exceptions, but 1.0mm and stiff is what keeps coming up time and time again!

Thin (flexible)  picks, although very forgiving for a heavy pick attack, flex to much and will lag behind, thus throwing off the  synchronization between right and left hand.  The end result will be sloppy playing.

Thicker (stiff) picks (1.14mm and above) will not yield enough string vibration through the pick and you will not get an adequate feel for the string.  On the scale of thinner vs thicker picks you are better off on the thicker side.

1.0mm seems to give the best balance between stiffness and feel!

Using a pick with a Sharper edge will yield more articulation, and less pick noise.  To truly gain the benefits of using a guitar pick with a sharp edge you will want to minimize your economy of motion to the best of your ability.    The traditional pick with a rounded edge tends to generate small amounts of pick noise.  This is due to a larger surface area movement across the string.  As forward sheering angle of the pick is increased the pick noise will be increased in proportion to this positive angle.

TIP:   Keep edge of your pick clean and free of burrs.  Use fine grit sandpaper (600 and above) to keep the pick surface as smooth as possible.  This will allow the pick to glide through the string easier and will generate less pick noise.

Keep your guitar pick sharp and free of burrs.
Keep your guitar pick sharp and free of burrs.

 

Selecting size and shape of your guitar pick is a personal preference, like buying a pair of shoes.  Go with what feels correct to you!  Make this your own personal journey.  Stop by your local guitar store and try out a few picks that are in the 1.0mm range.  Buy a couple of guitar picks that feel good and spend some time narrowing it down.

Good luck and feel free to contact us if you have any questions.

Packard Goose | Performed by Scott Szeryk

Packard Goose is a song that Frank Zappa recorded in 1978. It was performed by the 1978 band on the fall tour.  the lyrics deal with music critics, in particular they deal with the inept and often corrupt ways of early rock ‘n’ roll journalists.   Frank Zappa then worked the song into the plot of Joe’s Garage, which was released in November of 1979.  Act III song 2.

It was an honor to be a part of this elite group of musicians to recreate Packard Goose.  It was super cool to have original Frank Zappa alumni Arthur Barrow performing on Bass.  Arthur played bass on the original 1979 recording of Packard Goose, which is featured on the Joe’s Garage Pt III album, and he used the same bass!

Marc Atkinson – Drums, Vocals

Arthur Barrow – Bass Guitar

Scott Szeryk – Guitars

Mike Genovese – Vocals

Nina DiGregorio – Vocals “Mary”

https://www.youtube.com/watch?v=M5HVoYnfGGo

For the recording of this song I used the Music Man-Game Changer loaded with Ernie Ball M-Steel Strings into Fractal Audio Axe FX2, PreSonus studio live,  ProTools (Avid).

Fractal Audio Preset for Packard Goose

The guitar solos in Packard Goose were superimposed over the studio track, a technique developed by Frank Zappa known as Xenochrony (See definition below).   The first half of the guitar solo was recorded live on April 1, 1979, from the solo section of Easy Meat, and the second half on March 31, 1975 also from Easy Meat. All of which has been painstakingly re-created by yours truly (Scott Szeryk) for this performance.

Xenochrony is a studio-based musical technique developed at an unknown date, but possibly as early as the early 1960s, by Frank Zappa, who used it on several albums. Xenochrony is executed by extracting a guitar solo or other musical part from its original context and placing it into a completely different song, in order to create an unexpected but pleasing effect. He said that this was the only way to achieve some rhythms.

Line up on original Packard Goose:

Frank Zappa (lead guitar, vocals)
Warren Cucurullo (rhythm guitar, vocals)
Denny Walley (slide guitar, vocals)
Ike Willis (lead vocals)
Peter Wolf (keyboards)
Arthur Barrow (bass, vocals)
Ed Mann (percussion)
Vinnie Colaiuta (drums)

Lyrics:
Maybe you thought I was the Packard Goose
Or the ronald Macdonald of the Nouveau-abstruse
Well fuck all them People, I don’t Need no excuse
For being what I am
Do you hear me, then?

All them rock ‘n roll Writers is the worst Kind of sleaze
Selling punk like Some new kind of English disease
Is that the wave Of the future?
Aw, spare me please!

Oh no, you gotta go
Who do you write for?
I wanna know
I believe you is the Government’s whore
And keeping peoples Dumb is where you’re Coming from
And keeping peoples Dumb is where you’re Coming from

F**k all them writers With the pen in Their hand
I will be more Specific so they Might understand
They can all Kiss my ass But because it’s So grand
They’d best just Stay away
Hey, hey, hey

Hey, joe, who Did you blow?
Moe pushed The button boy
And you went To the show
Better suck a little Harder or the shekels Won’t flow
And I don’t mean Your thumb
So on your knees You bum
Just tell yourself It’s yum
And suck it ’till You’re numb

Journalism’s Kinda scary
And of it We should be wary
Wonder what became Of mary?

(Voice of Mary’s vision)
Hi! it’s me
The girl from the bus
Remember?
The last tour?
Well, Information is Not knowledge
Knowledge is Not wisdom
Wisdom is not truth
Truth is not beauty
Beauty is not love
Love is not music
Music is the best
Wisdom is the domain of the wiz, which is extinct.
Beauty is a french Phonetic corruption
Of a short cloth Neck ornament
Currently in Resurgence.

If you’re in the Audience and like What we do
Well, we want you To know that we Like you all too
But as for the Sucker who will Write the review

If his mind Is prehensile (his mind Is prehensile)
He’ll put down His pencil
(he’ll put down His pencil)
And have Himself a squat On the cosmic utensil
(cosmic utensil)
Go give it all you got On the cosmic utensil
(cosmic utensil)
Sit ‘n spin until you rot On the cosmic utensil
(cosmic utensil)
He really needs To squat On the cosmic utensil
(cosmic utensil
Cosmic utensil)

Now that I got that Over with I’ll just play my Imaginary guitar again
Hey.Soundin’ pretty good!
Hey, get down
Boy, what an Imagination!
Love myself, better Than I love myself
I think
What tone!
Sounds like an Elegant gypsy!
What is that? Musk?
It’s hip!

TorqueFlite 46RH (A518) Transmission – TransGo Shift kit

Our 1994 Dodge Van with Custom Conversion RV Package, is perfect for touring and taking long trips across North America.

I wanted to improve the efficiency of the stock Torqueflite 46RH (A518) Transmission and give it more of a manual transmission feel.  I felt that the TransGo Reprogramming / Shift kit was exactly what I was looking for.

The stock Torqueflite 46RH is a really good transmission.  The shift points are on the low side and there is an overlap with the shifting where you are in 2 gears at once.  This does provide a smoother feel but is not good in terms of economy and wear.

After the transmission was put back together and road tested we immediately noticed firmer shifts and were able to up or down shift to any gear at anytime.  This transmission now has a feel that resembles that of a manual transmission plus the added versatility of more robust up and down shifting.  Overall performance was greatly improved!

NOTE:  We did have problems keeping the rooster comb linkage from popping up when installing the valve body back into the transmission.  At around the 6th attempt we fastened it down by wrapping copper wire around it, which was easy to remove after it was installed.  Having the linkage set to 1st gear made it easy to install the parking linkage and reconnect the E-Clip.

Lydian Mode | Explanation and Progression

Lydian is the 4th Mode of the Major Scale…

The formula for Lydian Mode is:  R b2 b3 4 5 b6 b7 R

The notes in C Lydian mode are:  C D E F# G A B C

It’s parent major scale is G major:  G A B C D E F# G

The interval structure for Lydian Mode is:

Tone, Tone, Tone, Tone, Semi-Tone. Tone, Tone. Semi-Tone

or

Whole, Whole, Whole, Half, Whole, Whole. Half

Tone=2 frets, Major Second

Semi-Tone=1 fret, Minor Second

Whole Step=2 frets, Major Second

Half Step=1 fret, Minor Second

From an ear training perspective, Lydian mode sounds Happy, but a little off centre, but also very Regal .  You can hear it in the Compositions of Bela Bartok, Frank Zappa, Steve Vai

Auditory Association (Songs):

  • Theme to The Simpsons -Danny Elfman
  • Flying in a Blue Dream – Joe Satriani
  • Answers, Salamanders in the Sun – Steve Vai
  • Watermelon in Easter Hay – Frank Zappa
  • Jungle Stalker, Lydian Dream – Scott Szeryk

 

 

 

 

Phrygian Mode | Explanation and Progression

Phrygian Mode is the 3rd mode of the major scale.

Phrygian mode’s formula is:  R b2 b3 4 5 b6 b7 R

The notes in C Phrygian mode are:  C Db Eb F G Ab Bb C

It’s parent major scale is Ab major:  Ab Bb C Db Eb F G A Bb

The interval structure for Phrygian Mode is:

Semi-Tone, Tone, Tone, Tone, Semi-Tone. Tone, Tone

or

Half, Whole, Whole, Whole, Half, Whole, Whole

Tone=2 frets, Major Second

Semi-Tone=1 fret, Minor Second

Whole Step=2 frets, Major Second

Half Step=1 fret, Minor Second

From an ear training perspective, Phrygian mode sounds Minor and Dark.  You can hear it in the Flamenco Dance music of Southern Spain and in the chord progressions of Heavy Metal artists such as Metallica and Megadeth…

Auditory Association (Songs):

  • Race with Devil on Spanish Highway- Al DiMeola
  • White Rabbit – Jefferson Airplane
  • For the Love of God – Steve Vai

five-five-FIVE | Performed by Scott Szeryk

five-five-FIVE by Frank Zappa is appropriately named as it’s title is derived from the time signature of the composition (two bars of 5/8 followed by a bar of 5/4).  During the early part of the 1979 European tour, Frank Zappa decided to insert the vamp into the middle of another song “Conehead” as an alternate solo section.

https://www.youtube.com/watch?v=Gs6hzbZab1o

This recording is a note for note transcription of what was played on  Feburary 19, 1979 at Hammersmith Odeon, London, UK as part of the middle section of “Conehead”.  555 was never performed again after the 1979/1980 ensemble.   five-five-FIVE was later released on May 11 1981 as the opening track on “Shut Up ‘n Play Yer Guitar”.

Check back soon for note for note transcription and Guitar Tab of all guitar parts.

Guitar solo from Conehead
Hammersmith Odeon, London, UK

February 19, 1979
engineer: Mick Glossop

Frank Zappa—lead guitar
Warren Cuccurullo—rhythm guitar
Denny Walley—rhythm guitar
Ike Willis—rhythm guitar
Tommy Mars—keyboards
Peter Wolf—keyboards
Ed Mann—percussion
Arthur Barrow—bass
Vinnie Colaiuta—drums

five-five-FIVE – Shut Up ‘n Play Yer Guitar – 555 – Frank Zappa

 

Classical Gas | Performed by Scott Szeryk

Classical Gas Performed by Scott Szeryk

Mason Williams cites that Classical Gas was written as a piece to play at parties when they passed the guitar around. “I envisioned it as simply repertoire or “fuel” for the classical guitar, so I called it Classical Gasoline” says Williams.
The single was released from the “The Mason Williams Phonograph Record” in February of 1968 and it hit the top of the charts in August. It won three Grammy awards: two for Mason Williams; Best Instrumental Composition, Best Instrumental Performance; and one for Mike Post, Best Instrumental Arrangement.
Williams later re-recorded “Classical Gas” as a solo guitar piece on his 1970 album Handmade.

Sheet Music and Guitar Tab coming soon.

Dorian Mode | Explanation and Modal Progression

Dorian mode is the second mode of the major scale.

Dorian mode’s formula is:  R 2 b3 4 5 6 b7 R

The notes in C Dorian mode are:  C D Eb F G A Bb C

It’s parent major scale is Bb major:  Bb C D Eb F G A Bb

The interval structure for Dorian Mode is:

Tone, Semi-Tone, Tone, Tone, Tone, Semi-Tone. Tone

or

Whole, Half, Whole, Whole, Whole, Half, Whole

Tone=2 frets, Major Second

Semi-Tone=1 fret, Minor Second

Whole Step=2 frets, Major Second

Half Step=1 fret, Minor Second

From an ear training perspective, Dorian mode sounds Bluesy.  You can hear it in the Im-bIII-IV blues progressions (Em-G-A)

Auditory Association (Songs):

  • LaGrange, Tush – ZZ Top
  • Hot for teacher, Somebody get me a doctor – Van Halen
  • Oye Como Va – Tito Puente/Santana
  • Purple Haze – Jimi Hendrix